Posted on 16 July 2026:
Colours of India 2026: Swaranjali Delhi’s Mega Cultural Extravaganza Lights Up the Andaman & Nicobar Islands
A grand evening of classical music, devotional song, and folk dance from across India unfolds in Sri Vijaya Puram on 13 August 2026
There are evenings that pass, and there are evenings that stay with you — folded quietly into memory, ready to return each time a tabla beat sounds in the distance or a shloka drifts through the air. Colours of India 2026 promises to be the latter.
On 13 August 2026, at 5:00 PM, the historic Tagore Government College of Education Hall, Middle Point, M G Road, Sri Vijaya Puram, Andaman & Nicobar Islands, will open its doors to an extraordinary gathering of artistry. Presented by Swaranjali Delhi, this mega cultural extravaganza is far more than an evening of performances — it is a living map of India, traced in rhythm, melody, and devotion, unfolding stage by stage until the whole subcontinent seems to breathe in one hall.
This is not a show to be watched–it’s a journey to be felt.
The evening opens with a burst of youthful spirit, as Vikash Dance Akademi, Port Blair, takes the stage with a vibrant group dance — setting a tone of energy and grace that carries through everything that follows.
Where Classical Music Finds Its Voice
From there, the evening settles into stillness and depth. The distinguished Pandit Bhutnath De of Jharkhand offers a classical vocal recital, his ragas given rhythm and shape by the tabla of Pandit Susamoy Mishra. It is the kind of performance that asks an audience simply to close their eyes and listen.
That same meditative spirit returns in the solo sitar recital of Vidwan Subrata De, again accompanied by Pandit Susamoy Mishra on tabla. Together, the strings and percussion create a resonance that seems to slow time itself — an invitation into the inward, spiritual core of Indian classical tradition.
Adding elegance and youthful vigour to the proceedings, Daksh Akademi, Port Blair, brings its own distinctive energy to the stage.
Devotion, Grace and the Language of Gesture
Capture India’s spiritual imagination quite like dance offered in devotion– where the evening truly deepens.
Under the guidance of Guru Vidushi Sangita Chaki, the Hakimpara Nritya Malancha ensemble of Siliguri unveils a luminous suite of devotional invocations — Ganapati Shlokam, Saraswati Shlokam, Durga Kirtanam, and Shiva Kirtanam — interwoven with Kathak recitals by a gifted young troupe.
The evening deepens with a very graceful Bharatanatyam recital by Ms. Rajasi Wagh of Pune, and ascends into melody through the soulful vocal offering of Mrs. Vineet Talukdar from Port Blair.
The stage then glows with the solo Bharatanatyam of Smt. Rimpi Saha Banik, each gesture unfolding like temple sculpture brought to life — a hymn in motion, a rhythm offered as prayer. From there, the evening flows into the intricate footwork of Avipsha Adhikari’s Kathak solo, a dialogue between beat and expression that shimmers with timeless elegance.
Devotional Aura Deepens with Strength and Energy
- Saraswati Shlokam by Doli Mahanta, invoking the serene presence of wisdom
- Durga Kirtanam by Shrestha Sarkar, a powerful evocation of strength and divine energy
- Shiva Kirtanam by Kasturi Das Barman, resonant and commanding
- Avata Shyam by Prakriti Thapa, painting the stage in hues of devotion
- A second Shiva Kirtanam by Hrishita Das, echoing the eternal rhythm of cosmic dance
Guiding the Kathak tradition with masterful artistry, Guru Vidushi Sangita Chaki herself takes the stage once more, weaving storytelling and rhythm into a performance of quiet authority and grace.
A Folk Dance Odyssey Across India
As twilight deepens outside the hall, the stage inside blossoms into a kaleidoscope of traditions — each performance a jewel set into India’s cultural crown.
The odyssey begins with the Bangla Folk Dance, brought alive by Doli Mahanta, Shrestha Sarkar, and Avipsha Adhikari, their movements echoing the rustic rhythms of Bengal. From the banks of the Brahmaputra comes the joyous Bihu of Assam, performed by Sharmistha Das, Moupia Adhikari, and Priti Karmakar — a celebration of harvest and festivity. The Himalayan spirit then shines through in the Nepali Folk Dance of Prakriti Thapa, graceful and soulful.
Odisha’s vibrant soil finds voice in the Sambalpuri Folk Dance of Hrishita Das and Kasturi Das Barman, while Avipsha Adhikari carries the audience into the earthy traditions of Tripura. Desert winds swirl through the Rajasthani Folk Dance, presented by Shrestha Sarkar and Prakriti Thapa in a blaze of colour and vigour.
From the western coast, the Marathi Folk Dance — performed by Kasturi Das Barman, Hrishita Das, and Doli Mahanta — pulses with energy, while the valleys of Kashmir breathe gently through Avipsha Adhikari’s Kashmiri Folk Dance, serene and lyrical. The festive rhythms of Gujarat then sparkle to life in the Garba, performed by Sharmistha Das, Moupia Adhikari, Keya Das Barman, and Priti Karmakar.
And finally, the fields of Punjab erupt in exuberance as Hrishita Das, Kasturi Das Barman, Doli Mahanta, and Shrestha Sarkar lead a rousing Punjabi Folk Dance — a crescendo of joy and vitality that lifts the entire hall to its feet.
One Heartbeat, One Nation
The odyssey culminates in a stirring rendition of Vande Mataram by the full Hakimpara Nritya Malancha ensemble — every rhythm, every region, every tradition of the evening woven together into a single heartbeat of unity and pride.
With Shreyas Webmedia Solutions, Bhubaneswar as the esteemed Media Partner, the evening gains a luminous presence, weaving artistry with resonance.
Guiding the flow with grace and eloquence, Smt. Rashida Iqbal anchors the celebration, binding performances into a seamless tapestry of culture and spirit.
Colours of India 2026 is more than a cultural program. It is Swaranjali Delhi’s tribute to the boundless diversity of Indian art — classical and folk, devotional and joyous, ancient and ever-renewing — brought, for one unforgettable evening, to the shores of the Andaman & Nicobar Islands.